Wednesday, December 5, 2012

Just had to

...get this in. Can't live like this anymore. Without producing I mean. Really, really, really needed to write something, anything. Like, yes, I did something today besides my meaningless job. Something that means something to me. This is that. Thank you computer. I'm back.

Tuesday, October 28, 2008

On the subject...

...of incomprehensible gun violence, this story kept popping up when I searched for news on Jennifer Hudson's nephew. So I read it and was duly shocked, so I searched for more and was even more shocked to find this, this, and this. It's not right or okay. I believe in the Constitution. I'm just saying...guns do kill people. I think that's pretty obvious.

Thursday, January 3, 2008

What You Know 'bout B?

Don't the pundits know they don't know shit by now already? Damn. Someone else must have connected John Kerry's Iowa outcome with Barack in '08 before I just did.

A few other points. You read it here first:

NPR's Brian Lehrer reported that only 1 in 10 Iowans cared about "general electability" when choosing a candidate. Of course Brian Lehrer finds this surprising, as all we've been hearing about are the Democrat "electability" problems from the media with credibility problems. If anyone's unelectable isn't it a Republican? We cannot allow the presidential election to spin out of control again.

2- It's a shame about Hillary.

She is a victim of sexism no matter what we all want to say. BUT, she is also a wooden, relic of the old status quo. Her real problem is that she can't help but represent a feminist past that is no longer the future. That is to say, her real problem is Barack Obama. The light of the future seems to flatter him while it plays up the flaws in everyone else's complexion.

3- John Edwards = $400 haircut.

It's a defining contradiction. We may ingest today's news in pictures and sound bites, but the American people are very selective and sophisticated in our consumption of media. For most of us trying to keep up, there's simply not time to take in more than the "main idea." And sorry to say, Johnny's lost his grip on this. How's he ever gonna say "2 Americas" again without sounding like a schizophrenic?

Again, in the light of B he's not quite so bright.

His best quality was that honest smile. Tough break.

4- B, please pick your head up.

How can you win the general election with your head cocked to the side? That's not the kind of leader who wins on TV. We are now half a century beyond JFK/Nixon.

That said,

seriously, please get that security detail right, my man.

He Won

Time to get that security detail right.

Sunday, November 25, 2007


the sex illusion of...

I don’t want to do the things in “Lost Without You” with anyone else but Robin Thicke. It works not as a love song but as an “I’m in love with Robin Thicke” song.

He's cute.

Maybe it’s cuz his wife’s in the video. Who can say? What I do know for sure is that I wouldn't play it during sexy time with any other man. In the end it’s too sweet, too peculiar, too Thicke.

'Damn, girl.'

Tuesday, September 11, 2007

What'll I Do?

This post is inspired by the recent “Breakups” episode of This American Life (podcast highly recommended).

As the introductory anecdote explains, breaking up is one of the most common experiences in life,
"Like, everyone you know broke up with everyone they’ve ever dated, until maybe the person they’re with right now, if they’re with someone right now, but when it happens to you it feels so specific."

And to your horror you find that every breakup cliché really does apply.

Take breakup songs. They may be great, classic, even hit records, but when you break up it’s like they just appeared for the first time and were written exclusively for you (and your desire/need to wallow).

Anyway, I’m positive that there are at least 100,000 more and better examples than this sparse sampling (except for Berlin. Berlin’s is sovereign), but the following are my heartbreak’s greatest hits.

Stinging citations and the reasons why:
4. “Hard, cold and cruel is the man who paid too much for what he got…And if you need me to love you, say yeah you do. Darling please, don’t you know that I need you?” —Aretha Franklin
She’s like, “The price you’re paying is me. Can’t you see that? The price is too high! How can you let me go?” All the desperate honesty of a torch song, except not pathetic...until the 20th playback in a row.

3. “He walks away, the sun goes down. He takes the day, but I’m grown. And in your wake, in these blue shades, my tears dry on their own.”
—Amy Winehouse
Translation: "Okay, now I'm supposed to live without the SUN? Harsh. And yet, that's the way it is. I have to get over it. Get over it or die. I’m a grown up. My tears are no one else’s." This is sort of antithetical to standard breakup-song rhetoric which recommends a diet of unending depression.

2. “I know you’re probably thinking, what’s up with [me]. I’ve been crying too long. What did you do to me? I used to be so strong, now you took my soul…
You coulda told me you wasn’t happy. I know you didn’t wanna hurt me. Look what you’ve done to me now. I gotta look at her in her eyes and see she’s had half of me….” —Beyonce Knowles(allegedly), music by Curtis Mayfield.
I’m consistently amazed by Beyonce Knowles ability to relate to the masses. As much as it fries my brain to compute, somehow she does get the ladies. And for the ladies in love, sex is sacred. When you find out that the one you love is giving the loving to another (or otherS), on one hand it’s good because you’re forced to get it. It’s like, “okay, I see. You gave what was mine to someone else—what was half of me. It really is over.”
On the other hand, you’re forced to get it. It’s like, “I know you didn’t wanna hurt me, but look what you’ve done to me now. Someone else—someone who probably doesn't even matter—has half of me.”
That sentiment + the Curtis Mayfield score = Total Devastation.

And the award for greatest, simplest, bestest, most resonant sung emotion that could possibly speak to my reductive heart of hearts:

1. “When I’m alone with only dreams of you that won’t come true, what’ll I do?” —Irving Berlin
Seriously, what’s more heartbreaking than that? It IS heartbreak. In a nutshell. Greatest. Sad. Song. Ever.

I mean can you answer that question? What does one do:
…when I am wondering how you feel just now?
…with just a photograph to tell my troubles to?
…when you are far away and I am blue?


So, what other heartbreak gems am I missing? Please school me. I don’t mean to take pleasure in the misery of others, but if you could share what it was and why you cried that would be really excellent.

UPDATE: I'm not on suicide watch. This post was a long time coming and I'm slow to write. Just always wanted to speak on the topic. Enter This American Life, referenced above, then yesterday "What'll I Do" came up on the old iPod so I was reminded.
'Preciate the love, nonetheless, but don't worry. As a good friend of mine once titled a mix CD, "I Don't Need That N----"

Wednesday, September 5, 2007

This is Jacobus, Signing Off

Please meet Jacobus

YouTube Jacobus
See Also: Kasper Hauser

What the Hell Kind of GD Bullshit Is This?

What is this lazy shit? I'm shocked. Dope song. Mixed reviews. The video is your chance to make your case...

You blew it, 'Ye.

After I woke up I still couldn't figure out what that woman was doing laying around in those curtains. Is she his money that needs to get right? Is this video just a crazy dream I had about shitty music videos and maybe it doesn't really exist? Let's hope so.

I am really, sorely, wholely disappointed with the lack of vision in the visuals nowadays. People act like the video has absolutely nothing to do with the song. Sorry I'm late, but this just brings to mind certain other stinging offenses of which I have yet to let go. Namely:

Beyonce riding in the backseat, and then in the trunk of her man's car, showing us what it takes to be an "Upgrade":

There's something really fancy about that chair Jay's sitting in. Wait a minute, it's Beyonce! Why, she's upgraded it! That's clear to see.

Here we have Beyonce claiming to be the "Suga Mama" of a man that's nowhere to be seen whilst riding a fake bull and swinging on a pole:

What kinda "Suga Mama" works for tips? Oh, but she is wearing a man's dress shirt so maybe that means she gets an official check for her work. Is she her own Suga Mama? She's the only one there.

Am I being too hard on K West by making this comparison? Or are you just too in love with him to see straight? I feel what that dude at EW is saying about the stage lights in the desert at night but WTF is he doing during the day? Nope. It's not okay. It's disappointing.

Tuesday, September 4, 2007

..wait til I get my money right.

Apparently money never gets right. A couple weeks ago I saw a 20/20 special episode on the richest Americans and their charitable endeavors. In it Ted Turner, a man who's designated a large portion of his billionaire wealth to charity, talked about not being ready to retire from his career of getting money for fear that he has not yet gotten enough money. He's not secure that his current wealth will be quite enough to sustain him for life. Really?

Kanye West's new single "Can't Tell Me Nothing" addresses the same issue. He's got lots of money, just not enough. "Wait til I get my money right..." goes the hook. As he tells it, money being right is more to do with the monied person's overall "rightness." For my money, West's is #1 of the current big three money/pop/hop tunes. Likely there are more than three--i don't keep up with the kids like I used to--but as of now my iPod is spinning:

3) 50 Cent, "I Get Money"
2) Swizz Beatz, "Money in the Bank"
1) Kanye West, "Can't Tell Me Nothing"

Kanye's is first cuz I listen to it the most. It's the most thought-full even though they're all about the same thing: Money's not real, being all about money is not real.

3) "I Get Money"

powered by ODEO
50 Cent to Audience:
Not only do I run New York just because I say so, but I also run you. Give me all your money. I thought so.

Gollee, gee whiz, and boy oh boy do I hate (meaning also like) 50 Cent. His whole-hearted embrace of a money-by-any-means-above-all-else-ideology puts him in diametric opposition to my point of view. But of course polar opposites become the nearest points in a circuit. I.E. there are no two things more alike than opposites. I say that to mean I LOVE "I Get Money." To say nothing of that hearty beat built on a classic 50 cent rape of a classic, his trademark exaggerated dicky-ness is just soooo extremely satisfying.

For real, how is that bastard gonna say he's selling quarter water in bottles for $2 dollars??!! The ink is not yet dry on Coca-cola's check. Plus he's totally shitting on his quarter (vitamin) water hood babies that underwrite his entire career. And that's just the first line. No respect. That's 50's whole story--no respect, in a bottle. In every one of his hits he spouts a variation on the theme "Fuck you." And that "you" could be anyone or anything. Seriously anyone, except maybe his biological son...maybe.

Audience to 50 Cent: You know what, Fif? You do run New York, and me. Here's my money.

What's his secret? I'll never know. It's not like you can uncombine the chemistry of his talent and ambition and timing and lack of ethics. They all contribute, who knows in what quantities. All I know is, it is a fantasy what he's selling. He knows it, the buyer knows it. Same with Kanye, and any superstar really, but I feel less dirty about Kanye's trek through the culture cuz it feels less like a rape, more like a choice. Why is that?

2) "Money in the Bank"
Gold Digger Enamel on Board 19" x 19"

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First of all, Kanye West made this song two years ago and it was called "Gold Digger." Second of all, it sounds mad hot. I bet it bangs in the club. We'll see. Third, WHY do Hip Hop men hate taking care of women so much? You don't hear many women (besides Remy Ma) saying things like, "We don't love them kids," or some such.

Not that women are the same as babies. But Swizz's (and Kanye's...and damn near every rich man's) argument presupposes that the money is the man's. Let's just try and figure out what happened to all this woman's money that she has to go digging for yours. What could have happened? Is she a crackhead? A hooker? Otherwise she should be able to support herself, right? If she's one of the above then maybe you shouldn't be dating or writing songs about her. Are you her slave? How can you be at once a goldmine and also a slave?

Regarding the challenges facing today's professional women I recently heard the aphorism, "Everyone needs a wife." I.E. adult life can't be sustained by one adult. I.E. homes must be made. Who's home-making in your life? Cuz somebody needs to be or else you won't have a life. Please explain to me why home-making is supposed to be free or minimum wage-earning. If the goal is to team up with someone and work as a team, then why can't we share our shit? Isn't said shit really ours anyway regardless of who walks it through the front door? Must one of us always be out to get the other or are we destined to be forever opposed by gender?

1) "Can't Tell Me Nothing"

powered by ODEO
Seriously, it's my favorite. So much so that I have nothing to say about it. It says everything for itself. What do you have to say?

Thursday, August 30, 2007

I'm Not Surprised

Richard Grieco being fug earlier this week.

I mean, minus the obvious coke wreckage, is this really a shock? Does he really look like a different guy? No, you (like me) just used to be thirteen and had no taste.

Richard Grieco when you were thirteen.

Friday, August 24, 2007

Dick Flicks

I’m totally hating on Superbad – a movie I haven’t seen.

Hate thesis: WTF, aren’t girls funny?

Everyone, I mean EVERYONE who’s article I’ve read or who’s moviegoing experience I’ve heard—men and women, boys and girls—said that Superbad was super good.

Fuck off. I don’t care.

Seriously, I’m not the audience. You know what else was good? Some “chick flick” that no one ever saw because people called it a chick flick.

Does anyone notice that a movie can have an all-male leading cast and still be considered topical for general audiences? While any film with a predominately-female cast gets the female-audience marketing and press treatment, gender is almost never even mentioned when it comes to man-centric stories. Why is it that women can relate and grasp and laugh and empathize with the stories of men while men get to say “chick flick” and dismiss our stories?

Some stories are genuinely gender-inclusive. But the vast majority of major Hollywood films are about the lives of cool men to which women contribute smaller parts—usually their private parts. Even when the guys are geeks they’re cool enough to be the lead that you'll end up falling in love with. You tend not to fall in love with a girl geek in a movie unless and until she gets a makeover.

I love movies. I fucking love movies. So I definitely love men—directors, writers, and actors—and their stories. But here’s a few fact-ish items:

1) I’m a woman.
2) I’m not lame.
3) I’m pretty sure I’m not the only woman who’s not lame.
4) I don’t actually make movies myself, so I’m no expert, yet somehow I can conceive of the possibility that a general audience could find a story about women entertaining—possibly even humorous and engaging. I know, I know, if I actually worked in the movie business I would understand why that’s simply impossible. I’d have the facts. The lay-people always wanna tell the experts how it’s done.

I’m not saying that boy movies shouldn’t exist, I’m just saying, “dick flick” is just as much of a specialization as “chick flick” and we should all--the critics and the fans--take notice. The culture seems to say “who doesn’t want to spend a couple of hours with a bunch of guys? Isn’t that the spice of everyone's life?” Let’s pull our heads out of our asses. This isn’t 100 years ago or something.

Friday, July 13, 2007

So You Think You Can Fool Me?!

Apparently no one else noticed that Lauren and Neil failed to dance when their time came on "So You Think You Can Dance" this past Wednesday night. Please point out the dancing to me if you can see it, because I can't. Does Wade Robson have some sinister deal with the producers of this show? I suspect serious foul play. This is supposed to be a professional dance competition, not the ham olympics.

There were a lot of hand gestures, arm flailing, 2-stepping, and overacting, but little to no dancing. PLEASE, tell me if you see even ONE move in this whole piece that Napoleon Dynamite couldn't have executed himself.

I was seriously cringing watching that performance and thinking to myself, "WHAT are the judges going to say about this? There's no dancing!" And then they all just put on their lying faces and pretended not to notice. You KNOW they noticed. Nigel Lythgoe and Mary Murphy seemed to have an especially hard time with their lies.

Lauren and Neil (Lauren especially) seemed genuinely shocked at their positive critiques. Lauren definitely seemed nervous about how the routine would be received. Probably because, as a dancer, she noticed that she wasn't dancing, despite being a contestant in a dance competition.

I call Fraud, Sham, Hoax, Foul Play. Can the S.E.C. look into this? Who's jurisdiction is this? We've been bamboozled and I am not going to take it.

I mean, you have this:

and then you have that piece of crap above.

Hey, SYTYCD, your fraud is showing. Please tuck it back in.

Tuesday, July 10, 2007

Von Von Von

Do you have a dream? Well then go for it, kid. Go all the way.

Monday, July 9, 2007

Stick ‘em Up!

Seriously, $600? I’ll wait a year. At least.

Although, someone commented to me the other day that Apple doesn’t really lower its prices over time. But that's not entirely true. At $349 the newest, giant iPod (80GB) beats the puny, orginal iPod (5GB) by $50. That's progress, right? Sort of.

Now the original wonder of 1,000 songs comes in 4GB instead of 5, for half the price. It's called a Nano ($149). What I don't understand is why anyone would pay the same price for the double Nano (8GB) as for the smaller iPod (30GB). Seriously. They both cost $249. And you can't watch "Ugly Betty" on a Nano.

Aside: I also wonder why we still call them "Macs." Nostalgia? That's a good enough reason for me. Though I am fond of the term, when was the last time you heard the company referred to as Apple Macintosh?

In any case, I definitely don't have $600, or AT&T for that matter. And I'm not getting either one anytime soon. But somehow I think I'll make do. Computers. They really are/have been/will become the future. A computer that fits into your hand/purse/pocket/brain. That's what iPhone hysteria is about: the pursuit of oneness for the iGeneration. Connectivity technology. The tippy top of the first world. Who needs it, really? Your life in your hands. As if any of us can really control our lives.

But for real, I'm into the tech. Better, faster, smarter. It's all good. What frustrates me is how far behind we are from the actual forefront of personal computing innovation. Like this, for instance:

Is it real or photoshop? If it's real, how come we don't know shit about it? Do you know something about it? Please put me on.